You set the target
Quality is a decision about this file, not a dropdown marked "medium" that means something different for every clip.
A four-gigabyte master cut down to something you can actually send, with the quality target in your hands rather than in a preset's.
Quality is a decision about this file, not a dropdown marked "medium" that means something different for every clip.
MP4, MOV, MKV and WebM, in the codecs the destination expects. One master becomes every version in a single queue.
Browser-based compressors cap the file size because they have to receive it first. This one reads the file off your disk.
Every lossy codec discards data. The question is never whether something was lost, it is whether you can see what was lost — and on most footage there is a wide band where the file gets several times smaller and looks the same on the screens people watch it on.
That band is what a quality target is for. You choose where to sit in it, rather than accepting whatever a preset marked "medium" decided for a clip it has never seen. If a setting goes too far you will see it, so try one and look before you queue forty.
A web tool has to upload the whole file before it can start, and that is the slowest part by a wide margin on any domestic connection. It is also why the free ones stop at a few hundred megabytes.
Working locally removes both problems at once: nothing is transferred, and the only limit is your disk.
The cloud cleanup tools do audio and stop. The free video tools do video and have no AI audio at all. A single delivery usually needs both, and needing two applications to make one file is the problem this was built to end.
No tool can, and anything claiming otherwise is selling you something. Lossy compression always discards data. What you can have is loss you cannot see, which is what a quality target you control is for.
It depends on the footage — a talking head compresses far further than a handheld shot of moving leaves. You set the target and can try again at no cost beyond processing time.
Yes, in the same job: format and codec for the destination, and the audio cleaned in the same pass if you want it.
Every tool below runs in the same job, on the same file, in the order that actually sounds right.
Turn 16:9 video into 9:16 automatically
AI noise removal that runs offline on Windows
LUFS loudness normalisation for podcasts and video
Try it on your own recording
The free tier runs the same models on the same machine, with no account and no licence key. Install it and put a real file through it.